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[[Image:Wilhelmscream.jpg|thumb|240px|right|A late addition to the Prog Rock scene, Germany's [[Wilhelm Scream]] featured traditional airbrushed artwork on their gatefold double album covers, as well as a 38 minute opus to the [[Thermopylae|Battle of Thermopylae]].]]
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{{Whoops|Elitism}}
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[[Image:Atomheart101.jpg|right|thumb|240px|The [[Pink Floyd]]s 1978 Album was panned by [[PETA]].]]
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{{Q|ImuchpreferBrighton Rock, orBlackpoolifIcan'tgetanyofthat|NoelCoward|ProgRock}}
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[[Image:Wilhelmscream.jpg|thumb|240px|right|Alateadditionto the Prog Rock [[scene]], Germany's[[WilhelmScream]]featuredtraditionalairbrushedartworkontheirgatefold double album covers, as well as a 38 minute opus to the [[Thermopylae|Battleof Thermopylae]].]]
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[[Image:Atomheart101.jpg|right|thumb|240px|The [[Pink Freud|Pink Floyd]]s 1970 Album was panned by [[PETA]].]]
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[[Image:underwearweird.jpg|right|thumb|240px|Original cover for [[Jethro Tull]]'s "Thick as a Brick"]]
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'''ProgRock'''(nottobeconfusedwith[[Prod rock]]) was a particularly widespread, mainly airborne, virus, which is thought to be mostly under control now in the civilised world. Strains such as [[Genesis]], [[King Crimson]] and the much later [[Marillion]] were rife amongst the disaffected, [[Wankers|Pseudointellectual]] (mainly male) youth, much as the [[Grunge]] virus of the early [[90]]'s became to deadly effect. Most '''Prog Rock''' bands only lasted a limited time, band members often breaking up due to musical similarities.
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{{Q|Thetimebetweenthenotesrelatesthecolor to the scene.|JonAnderson|umm...}}
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{{Q|I much prefer Brighton Rock, or Blackpool if I can't get any of that|[[Noel Coward|Noël Coward]]|Prog Rock}}
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{{Q|We do not write "songs". We write "suites", "epics" and "concept pieces". We do not write "lyrics". we write poetic expressions of the truth of the Universe. GET IT STRAIGHT!!|Pete Sinfield|Prog Rock}}
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{{Q|Mekanïk Üdü Wüdü futura de Kommandöh! Magma 1001°Centigrades Janik Top. Špaćank Uć Đaerž. Merci|Christian Vander|God knows what}}
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{{Q|I think we need some mandolin around here.|Mike Oldfield|music}}
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{{Q|Pfff...Yeah, mandolin. How original.|Ian Anderson|Mike Oldfield on music}}
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{{Q|Underwater.|Mike Oldfield|originality}}
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{{Q|Oh...|Ian Anderson|Avant-garde}}
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{{Q|I had one of those once, before I bought my Minimoog.|Rick Wakeman|women}}
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{{Q|Moog sucks. I could ARP your head off!!!|Tony Banks|Moog}}
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{{Q|Overrated.|Mike Oldfield|ARP, Moog and women}}
{{Q|A discipline that does not lead to a compassionate practice may be said to have failed.|Robert Fripp|God knows what}}
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{{Q|Where are Karn Evils 1 Through 8?|Annonymous|ELP}}
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{{Q|I wish my brother George was here.|Liberace|winning a grammy for his album Frances the Mute}}
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{{Q|We'll be right back right after this commercial for Captain Crunch, now featuring Crunchberries!|Mike Keneally|stalling for time while Bryan Beller tunes his 28-string bass}}
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{{Q|This is not music|Captain Obvious|Prog Rock}}
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'''Prog Rock''' (not to be confused with [[Prod rock]]) was a particularly widespread, genre of music, which is thought to be mostly under control now in the civilised world. Groups such as [[Pink Freud|Pink Floyd]], [[Deaf To Van Gogh's Ear]], [[ELP]], [[Genesis]], [[King Crimson]], [[Rush]], [[Yes (band)|Yes]] and the much later [[Marillion]] were rife amongst the, [[Wankers|pseudointellectual]] (mainly male) youth, much as the [[Grunge]] genre of the early [[90]]'s became to deadly effect. Most '''Progressive Rock''' bands only lasted a limited time, band members often breaking up due to musical similarities (or in Pink Floyd's case, Roger Waters), except Marillion who defined the '''Popular Prog Rock''' genre.
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Sometimes referred to as "[[Shot your fuck up|Prague Rock]]" due to its roots in Czechloslovakian [[Folk Music]], progressive rock rebelled against the more popular [[regressive rock]], in which artists would work backwards, from material about self actualization andtopoliticalphilosophy, to songs like "Work Sucks", "School Sucks", "I Want My Mommy" and finally "Gurgle Gurgle". In short, progressive rock groups decided to stop writing three-minute songs about sex and instead wrote ten-minute songs about nothingat all.
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Sometimes referred to as "[[Shot your fuck up|Prague Rock]]" due to its roots in Czechloslovakian [[Folk Music]], progressive rock rebelled against the more popular [[regressive rock]], in which artists would work backwards, from material about self actualization,metaphysicalethicsandgnoseology, to songs like "Work Sucks", "School Sucks", "I Want My Mommy" and finally "Gurgle Gurgle". In short, progressive rock groups decided to stop writing three-minute songs about sex and instead wrote ten-minute songs about Godknows what (although it is believed that Jon Anderson knows the meanings of the lyrics of all prog songs ever written).
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And remember: if we'd had CDs in 1967, "Inna-Gadda-Da-Vida" would have been seventy-five goddamn minutes long.
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And remember: if we'd had CDs in 1971, "Echoes" would have been eighty-seven goddamn minutes long.
==Origins of Prog Rock==
==Origins of Prog Rock==
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Prog rock was first founded when some racist Europeans decided they had it with that rock music based on [[nigger]] [[blues]] and decided to create [[rock]] [[music]] based on [[Aryan]] [[classical]] music. Just like [[Hitler]] they were hugely popular at their heyday, but as soon as they [[World War Two|tried too hard]] they were thrown in the trashcan, only to be talked about with shame.
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Prog rock was first founded when some racist Europeans decided they had it with that rock music based on "[[nigger]] [[blues]]" and decided to create [[rock]] [[music]] based on [[Aryan]] [[classical music]]. Just like [[Hitler]] they were hugely popular at their [[heyday]], but as soon as they [[World War Two|tried too hard]] they were thrown in the trashcan, only to be talked about with shame. Today they mostly hang around dark websites reminsicing about Robert Fripp and Brian Eno's sudden hair loss. Some folks still believe Jon Anderson will lead them back to prog days of yore but Jon (from his hospital bed) has deemed it "Quite improbable and inherently unlikely".
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With their love for the flamboyant and theatrical Prog Rock soon cut a colourful swave through the music scene, as long haired youths nodded knowingly into pints of [[guinness]] and light ales worldwide, whilst discussing the musical virtuosity of '''Karn Evil 9''', or the sheer genius of a 27 minute Mellotron solo.
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With their love for the flamboyant and theatrical Progressive Rock soon cut a colourful swave through the music scene, as long haired youths nodded knowingly into pints of [[Guinness]] and light ales worldwide, whilst discussing the musical virtuosity of ''Karn Evil 9'', or the sheer genius of a 27 minute Mellotron solo, or the sheer genius of a 18 minute guitar solo, or the sheer genius of a 3 second bass solo. Every single progressive band from the heyday used a man named Bill Bruford as a drummer because he thought 4 was 7.
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==Symptoms of Prog Rock==
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Prog Rock is also known to be the final evolution of Rock music, using [[Awesome|over-the-top insane]] musical composition (which may or may not be influenced by [[LSD]] hallucinations) and impossible-to-understand lyrics about moonchildren, tales from topographic oceans or "man-ergs" (confirmed to have been influenced by [[LSD]] hallucinations). The lower species called [[Punk]] decided to rise against it. Punk defended that each band was supposed to write only one 3 chord song during their carrier, and only change this song's lyrics along the albums. This clashed into a Prog vs. Punk war that lasts to this day, with neither side showing signs of wanting to give up.
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Symptoms include-
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==Symptoms ofProgressive Rock==
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*27 minute song composition
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Symptomsinclude:
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* keyboardsolos
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* BrainDamage.
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* "creative"hairstylings
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* ...subsequentBrain Salad Surgery
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* abilitytounderstandEXACTLYwhatPeter Gabriel was talking about
* Being Gentle (This symptom can only affect giants)
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* Listening to bands such as Pink Floyd, Yes, King Crimson, Kansas, Rush, Genesis etc.
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* 27 minute song composition (or longer).
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* Keyboard solos especially where they do not belong (you heard me [[Keith Emerson|Emerson]])
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* Playing bass guitar
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* ...subsiquently taking over the band andtaking credit for everything the band has written
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* Not being American
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* Mandolins (see [[Mike Oldfield]]).
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* "Creative" hair stylings (see [[Claudio Sanchez|here]]).
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* A cape.
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* [[Jordan Rudess|A wizard hat]].
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* A cape and a wizard hat.
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* Interest in pirates.
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* Going down to [[LSD|Willow Farm to look for butterflies, flutterbies and gutterflies]].
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* Getting wood when seeing old pics of Greg Lake.
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* Using an extended Vocabulary
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* Having [[Breakfast in America]]
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* Bill Bruford.
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* Dressing up like a killer garden gnome.
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* Getting your ass kicked by Sid Viscious, or kicking Sid Viscious' ass.
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* Being a talented musician wasting talents on useless music.
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* [[LSD]].
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* Being mistaken for [[Art Rock]]
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* Being mistaken for [[Heavy Metal]]
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* Being mistaken for [[Avant-garde]]
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* Being mistaken for [[Symphonic Rock]]
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* Being mistaken for [[Jazz Fusion]]
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* Being mistaken for [[Psycadelic Rock]]
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* Being mistaken for [[Pop Music|Music that makes sense]]
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* Dreaming about [[Frank Zappa|Being an eskimo and loosing your vision due to someone rubbing a mixture of husky wee-wee (I mean doggy wee-wee) and snow into your eyes]]
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* Building walls during concerts... Big fuckin' expensive walls.
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* Your wisemen not knowing how it feels to be [[Thick as a Brick]]
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* Keith Emerson punching [[Elton John]] in the face.
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* Singing about moonlit knights and eclipses.
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* [[Roger Waters|Spitting in fans' faces]].
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* Calling [[The Shaggs]] better than [[The Beatles]]
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* The ability to understand EXACTLY what [[Peter Gabriel]] was talking about ([[Jon Anderson]]....).
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* Using big, fancy words that mean [[nothing]].
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* Thinking about Modest Mussorgsky.
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* Drugs.
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* Pete Sinfield.
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* Mellotrons.
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* Touring with a saxophone player.
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* Naming a guitar effect after yourself... You heard me, Robert Fripp.
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* Summoning angels with guitar riffs (i.e. [[Steve Howe]] in Close to the Edge)
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* Summoning demons with drum riffs (i.e. [[Tool (band)|Danny Carey]] in every single Tool song ever)
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* Analogue Synthesizers.
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* Time signatures unknown to mankind (for example only the shreddergod [[John Petrucci]] of [[Dream Theater]] knows how to play 69/420).
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* Starting to get hits in the 80's (which is quite scary for a prog-rocker, we're just not used to it).
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* Starting to talk about modern day warriors and today's Tom Sawyer.
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* Thinking that Winston Churchill dressed in drag, he used to be a British flag, PLASTIC BAG, WHAT A DRAG!
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* Dawn of light flying between the silent and self sources, chased amid fusions of wonder.
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* Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict.
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* Repeatedly stating that [[Emerson, Lake and Palmer|you will be there]]
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If you feel you may be suffering from any of these symptoms we advise you to seek medical help immediately.
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WARNING:LatestResearchhasshownpossiblelinksbetweenthe spread of ProgRockand[[KittenHuffing]].Rememberkids,JUSTSAYNO!
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Ifyoufeelyoumaybesufferingfromany of thesesymptomsweadviseyoutoseekmedicalandpsychiatric help immediately.
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WARNING: Latest Research has shown possible links between the spread of Progressive Rock and [[Kitten Huffing]]. Remember kids, JUST SAY NO!
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[[Image:Ggnotation.jpg|right|thumb|240px|A typical notation of a Gentle Giant song.]]
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COWBELL HERE!
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NO HERE!!
== The Progressive Rock Article Suite I-III ==
== The Progressive Rock Article Suite I-III ==
Line 34:
Line 33:
What It Is?<br>
What It Is?<br>
It Can't Really Be Defined<br>
It Can't Really Be Defined<br>
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Which Leads to Long Battles Boring As Hell Battles Between Nerds<br>
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Which Leads to Long Battles Boring As Hell Battles Between Morons<br>
"What Is Prog<br>
"What Is Prog<br>
And What Is Not"<br>
And What Is Not"<br>
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The Truth Lies<br>
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The [[Truth]] Lies<br>
Beyond<br>
Beyond<br>
The Faraway Galaxies<br>
The Faraway Galaxies<br>
Line 46:
Line 45:
Or Geese Or Meese, Caboose Or Cabeese,<br>
Or Geese Or Meese, Caboose Or Cabeese,<br>
The Mice In The Hice, And The Grouse In The House<br>
The Mice In The Hice, And The Grouse In The House<br>
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[[Your mother]] Jumped Over a Fence<br>
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Which Jumped Over a Fence<br>
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Yes, This Doesn't Make any Fuckin' Sense<br>
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Yes, This Doesn't Make any Fuckin' Sense. Anyways, 'Does Anyone Have Any Good Pot Around Here?'<br>
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Anyways, 'DoesAnyoneHaveAny Good Pot Around Here?'<br>
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Concentration, WillBeMyEpitaph,<br>
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Will Be My Epitaph<br>
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Right On! Pizza's Here!!<br>
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InotherwordsProgressiveRockislikeDrugs,Drugs, Rock & Roll, Drugs and [[Spam]]! (see [[Jethro Tull]] for more)
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AsIdrawlonacrackedandopensnatch,<br>
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If we make it, we can all sit back,<br>
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And smoke crack<br>
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Shine On You Sane Crystal'''<br>
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In other words Progressive Rock is like Drugs, Drugs & Roll, Rock & Roll, Rocks, Drugs and [[Spam]]! (see [[Jethro Tull]] for more)
===Part II: We Are the Children of Eternal Light / The Author ''Still'' Doesn't Have Any Imagination to Come Up With Something Funny, Including 'The Cleaning of the Underwear Drawer', and 'Cthulhu's Lament (in $ flat Sergeant-Major, with change)' (The Development section) in 11/8, 9/8, 5/4, π/7, 9/16, 16mm and acid ===
===Part II: We Are the Children of Eternal Light / The Author ''Still'' Doesn't Have Any Imagination to Come Up With Something Funny, Including 'The Cleaning of the Underwear Drawer', and 'Cthulhu's Lament (in $ flat Sergeant-Major, with change)' (The Development section) in 11/8, 9/8, 5/4, π/7, 9/16, 16mm and acid ===
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''guitar solo (about ten minutes)''<br>
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''Guitar solo (about ten minutes)''<br>
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''synth solo (about ten minutes)''<br>
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''Synth solo (about ten minutes)''<br>
Well, At Least the Keyboardist Must Wear ''' a Cape. '''
Well, At Least the Keyboardist Must Wear ''' a Cape. '''
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''bass solo (about two seconds/five notes)''<br>
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''Bass solo (about two seconds/five notes/not at all)''<br>
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''drum solo (two minutes, nineteen seconds, by law)''<br>
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''Drum solo (two minutes, nineteen seconds, by law)''<br>
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''other guitar solo (about fifteen more minutes)''<br>
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''Other guitar solo (about fifteen more minutes)''<br>
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''random jamming w/ incoherent lyrics about quantum panties, and audible snoring of the Sound Engineer in the background (about twenty minutes)''
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''Random jamming with incoherent lyrics about quantum panties, and audible snoring of the Sound Engineer in the background (about twenty minutes)''
====Coda: T-T-T-T-T-That's All Folks! (featuring vocalist: Porky Pig)====
====Coda: T-T-T-T-T-That's All Folks! (featuring vocalist: Porky Pig)====
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''expressionistic soundscapes (or: the Sound Engineer yawns, farts, scratches his stomach, walks into the playing room, missteps on the dwarfed flutist of the band because of thick smoke covering the room and falls on the drum set cursing like a seaman)''
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''Expressionistic soundscapes (or: the Sound Engineer yawns, farts, scratches his stomach, walks into the playing room, missteps on the dwarfed flautist of the band because of thick smoke covering the room and falls on the drum set cursing like a seaman)''
"Well At Least It's Fucking Boring And Corny!"
"Well At Least It's Fucking Boring And Corny!"
Line 90:
Line 89:
Song: The Progressive Rock Article Suite Intro
Song: The Progressive Rock Article Suite Intro
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. - palm mute / - slide up to
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. - palm mute / - slide up to
−
\ - slide down to ~ - vibrato
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\ - slide down to ~ - vibrato
−
h - hammer on b - Bend
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h - hammer on b - Bend
−
p - pull off Suffixes for bend
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p - pull off Suffixes for bend
−
t - tap f - full bend h - half bend
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t - tap f - full bend h - half bend
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ph - pinched harmonic q - quarter bend t - tap bend
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ph - pinched harmonic q - quarter bend t - tap bend
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* - see comment ^ - Hold bend r - release bend
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* - see comment ^ - Hold bend r - release bend
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x - Stuccatto ~ - vibrato bend e - bend with string breaking
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x - Succatto ~ - vibrato bend e - bend with string breaking
One common side effect of Progressive Rock is bankruptcy. This can be caused by the following:
One common side effect of Progressive Rock is bankruptcy. This can be caused by the following:
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* Touringwith a 50/9-pieceorchestra
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* Hidingbehind 1 million dollars worth of effects boxes on a stool while high paid session musicians jam rightnexttoyou.
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* Utilizing37studiomusicians
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* Touringwitha50-piece orchestra
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* Whydoesyour keyboard player have 27 keyboards and an electronic percussion set-up? Why does your guitar player have 15 guitars up on stage? Why does your singer need to play the [[Mandolin]]? Can't he just sing? And why is your drummer using a set that would make [[Neil Peart]] hold a garage sale?
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* Utilizing37sessionmusicians
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* [[RogerWaters]]
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*Yourband'skeyboard player having 27 keyboards and an electronic percussion set-up on stage
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* Holdingaconcertonafloatingstagein [[Venice]].
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*Yourband'sguitarplayerhaving15guitarsuponstage
−
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*Your band's bassist [[Roger Waters|taking the band over and taking credit (and recieving roaylty) for everything your band writes]]
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Mostofthiscanbealleviatedbycontractingadifferent virus such as Punk or Indie.
A late addition to the Prog Rock scene, Germany's Wilhelm Scream featured traditional airbrushed artwork on their gatefold double album covers, as well as a 38 minute opus to the Battle of Thermopylae.
“We do not write "songs". We write "suites", "epics" and "concept pieces". We do not write "lyrics". we write poetic expressions of the truth of the Universe. GET IT STRAIGHT!!”
~ Pete Sinfield on Prog Rock
“Mekanïk Üdü Wüdü futura de Kommandöh! Magma 1001°Centigrades Janik Top. Špaćank Uć Đaerž. Merci”
Prog Rock (not to be confused with Prod rock) was a particularly widespread, genre of music, which is thought to be mostly under control now in the civilised world. Groups such as Pink Floyd, Deaf To Van Gogh's Ear, ELP, Genesis, King Crimson, Rush, Yes and the much later Marillion were rife amongst the, pseudointellectual (mainly male) youth, much as the Grunge genre of the early 90's became to deadly effect. Most Progressive Rock bands only lasted a limited time, band members often breaking up due to musical similarities (or in Pink Floyd's case, Roger Waters), except Marillion who defined the Popular Prog Rock genre.
Sometimes referred to as "Prague Rock" due to its roots in Czechloslovakian Folk Music, progressive rock rebelled against the more popular regressive rock, in which artists would work backwards, from material about self actualization, metaphysical ethics and gnoseology, to songs like "Work Sucks", "School Sucks", "I Want My Mommy" and finally "Gurgle Gurgle". In short, progressive rock groups decided to stop writing three-minute songs about sex and instead wrote ten-minute songs about God knows what (although it is believed that Jon Anderson knows the meanings of the lyrics of all prog songs ever written).
And remember: if we'd had CDs in 1971, "Echoes" would have been eighty-seven goddamn minutes long.
Prog rock was first founded when some racist Europeans decided they had it with that rock music based on "niggerblues" and decided to create rockmusic based on Aryanclassical music. Just like Hitler they were hugely popular at their heyday, but as soon as they tried too hard they were thrown in the trashcan, only to be talked about with shame. Today they mostly hang around dark websites reminsicing about Robert Fripp and Brian Eno's sudden hair loss. Some folks still believe Jon Anderson will lead them back to prog days of yore but Jon (from his hospital bed) has deemed it "Quite improbable and inherently unlikely".
With their love for the flamboyant and theatrical Progressive Rock soon cut a colourful swave through the music scene, as long haired youths nodded knowingly into pints of Guinness and light ales worldwide, whilst discussing the musical virtuosity of Karn Evil 9, or the sheer genius of a 27 minute Mellotron solo, or the sheer genius of a 18 minute guitar solo, or the sheer genius of a 3 second bass solo. Every single progressive band from the heyday used a man named Bill Bruford as a drummer because he thought 4 was 7.
Prog Rock is also known to be the final evolution of Rock music, using over-the-top insane musical composition (which may or may not be influenced by LSD hallucinations) and impossible-to-understand lyrics about moonchildren, tales from topographic oceans or "man-ergs" (confirmed to have been influenced by LSD hallucinations). The lower species called Punk decided to rise against it. Punk defended that each band was supposed to write only one 3 chord song during their carrier, and only change this song's lyrics along the albums. This clashed into a Prog vs. Punk war that lasts to this day, with neither side showing signs of wanting to give up.
Progressive Rock
What It Is?
It Can't Really Be Defined
Which Leads to Long Battles Boring As Hell Battles Between Morons
"What Is Prog
And What Is Not"
There's Something On The Loose
Yesterday I Found A Moose... Or Should It Be Goose?
Or Geese Or Meese, Caboose Or Cabeese,
The Mice In The Hice, And The Grouse In The House
Which Jumped Over a Fence
Yes, This Doesn't Make any Fuckin' Sense. Anyways, 'Does Anyone Have Any Good Pot Around Here?'
Concentration, Will Be My Epitaph,
As I drawl on a cracked and open snatch,
If we make it, we can all sit back,
And smoke crack
Shine On You Sane Crystal
In other words Progressive Rock is like Drugs, Drugs & Roll, Rock & Roll, Rocks, Drugs and Spam! (see Jethro Tull for more)
editPart II: We Are the Children of Eternal Light / The Author Still Doesn't Have Any Imagination to Come Up With Something Funny, Including 'The Cleaning of the Underwear Drawer', and 'Cthulhu's Lament (in $ flat Sergeant-Major, with change)' (The Development section) in 11/8, 9/8, 5/4, π/7, 9/16, 16mm and acid
Guitar solo (about ten minutes) Synth solo (about ten minutes)
Well, At Least the Keyboardist Must Wear a Cape.
Bass solo (about two seconds/five notes/not at all) Drum solo (two minutes, nineteen seconds, by law) Other guitar solo (about fifteen more minutes) Random jamming with incoherent lyrics about quantum panties, and audible snoring of the Sound Engineer in the background (about twenty minutes)
[[1]]
editCoda: T-T-T-T-T-That's All Folks! (featuring vocalist: Porky Pig)
Expressionistic soundscapes (or: the Sound Engineer yawns, farts, scratches his stomach, walks into the playing room, missteps on the dwarfed flautist of the band because of thick smoke covering the room and falls on the drum set cursing like a seaman)
"Well At Least It's Fucking Boring And Corny!"
- Mr. Obvious (1974)
(fanfares and fade out)
(unfortunately (or not, depending on your preference,) the recorder ran out of tape 17 minutes before the band stopped playing)
Band: Uncyclopediarium
Song: The Progressive Rock Article Suite Intro
. - palm mute / - slide up to
\ - slide down to ~ - vibrato
h - hammer on b - Bend
p - pull off Suffixes for bend
t - tap f - full bend h - half bend
ph - pinched harmonic q - quarter bend t - tap bend
* - see comment ^ - Hold bend r - release bend
x - Succatto ~ - vibrato bend e - bend with string breaking
S - Stutter g - get bent
, - slight palm mute () - ghost note, sustained note
(X_X) Ghostface Killah note
" - tremolo note <> - Trill
% - pose & - pluck with an eyebrow
U - unintentional action Y - really unintentional action
@ - bang the guitar against the monitor
a - have an acid flashback
q - do something really fucking stupid
! - run in circles, waving the guitar in the air
while uncontrollably picking the strings
u - untie vocalist's hair from strings
T - try to tune the string, unsuccessfully
s - soil yourself on cue and call it avant-garde
F - set fire to drummer
tb - tab the song while performing it
WARNING: Do not try playing the guitar by banging the strings with your nuts!
(silence actually because the guitarist is missing)
e ||-------------------|-------------------|-------------------|-------------------|
B#||-------------------|-------------------|-------------------|-------------------|
Hb||-------------------|-------------------|-------------------|-------------------|
Db||-------------------|-------------------|-------------------|-------------------|
A#||-------------------|-------------------|-------------------|-------------------|
Bb||-------------------|-------------------|-------------------|-------------------|
sound eng: snoring
e ||-------------------|-------------------|-------------------|-------------------|
B#||-------------------|-------------------|-------------------|-------------------|
Hb||-------------------|-------------------|-------------------|-------------------|
Db||-------------------|-------------------|-------------------|-------------------|
A#||-------------------|-------------------|-------------------|-------------------|
Bb||-------------------|-------------------|-------------------|-------------------|
drums: rabadabadam bamdam
e ||-------------------|---------U0--------|-0-----------0-----|-0------------0----|
B#||-------------------|-------------------|---6-----6----6----|---6bf^^^^^r-------|
Hb||-------------------|-------------------|-----0-----0----0--|-----565-65--------|
Db||-------------------|-------------------|-------7----------7|--------4----------|
A#||-------------------|-------------------|-8-----------8-----|-8-----------Y9----|
Bb||-------------------|-------------------|------------U0-----|-------------------|
drums: dumdurum dumdum vocal: D A Ab Wb Щ#
e ||-6\0/7-------------|-5\4---------------|-0-----------%-----|----2--3\2---3-5---|
B#||-------3\0/4\pi----|---4/5-------------|-2U,-3h22Y,--%-----|-----3--4\3-2------|
Hb||-------------------|-----3\i-----------|-0U,----3Y,--%-----|------2----3--4----|
Db||-------------------|--------&5\&4------|-2U.---------%-----|--0-------4---5---T|
A#||-------------------|-------------&3h2--|-0U.---------%-----|---1---------------|
Bb||-------------------|-------------------|-0U,---------%-----|-------------------|
sixth string: Zb J# µb @!^#* ouch, it hurts [goes to her mom]
e ||-1\2---4--4--------|-3---5-3-3\2-------|-16h14---10\2------|-24h23-----23h20---|
B#||---2--3-2----------|--4-4-34----3\4----|----15h10---3h4----|-----16h12---------|
Hb||---3\2--3----------|---2--4-------24h23|--------------14h5-|---------7h5--8h6--|
Cb||------4----2-------|----4-5------------|-------------------|-------------------|
A#||---------5--2------|-------------------|-------------------|-------------------|
Bb||-----------2-2be | | | |
drums: undistinguishable from line noise audience: [wakes up]
e ||-24-----------!--!-|-!20--------@6--@-@|@Googol@--@--0-----|--Y8--7h3----------|
B#||--23h20---23---!-!-|---!---------@3-@--|-@ | |
Hb||--22---22h20----!--|---!-!!!u----@4@-@4|--@8--@-@ | F|
Cb||---------------!---|-!--!---u---@-2@@2-|--@5-@-@-@---0-----|--Y9h5---7b~e |
A#||---------------!-!-|-!--!---u-----@69--|----@20@-----------|-------------------|
Bb|| | | | |