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|Genre(s)||Krautrock, Proto-punk, Experimental|
|Members||Klaus Dinger, Michael Rother, Konrad Plank, Thomas Dinger, Hans Lampe, Eberhard Kranemann, Uli Trepte|
|Former Members||A Volkswagon motor that went on and on and on|
“Neu? They were heroes, just for one day”
Neu! is an experimental rock band from Germany comprising guitar player The Marquis de Sade and drummer Klaus Nomi. Their complex brand of Music Theory is called "Motorik Theory" or "Devolution". The two members were originally employed at the Kraftwerk power plant in Düsseldorf, Germany, but their lack of interest in robots got them fired. Ironically, Neu! would develop a robotic sound by themselves, which gave them a huge fan base inside The Matrix and among Terminators and the like. After inventing punk rock, krautrock, proto-punk, post rock, electronic music, the light bulb and the infamous motorik beat, Neu! dissolved after realizing that they basically recorded the same song 20 times in a row, and that became the Neu! discography.
Marquis de Sade and Klaus Nomi met as teenagers in a German factory for plastic vomit. They both quickly connected on a spiritual level and connected for their love of Chinese Water Torture, long unkempt hair and hilarious costumes. They quickly took the materials of the fake vomit and made it into guitars and drums. The guitar made from plastic vomit could only play one chord (E Major), which later would contribute to their sound that nearly ended civilization.
After gaining a record contract, they teamed up with a guy called Conny Planck to record their first album. After some hours of arguing, doing drugs (this was the 1970s, you know...), they frantically recorded 45 minutes of noise and called it an album. The opening track Hallogallo was ten minutes of playing one single chord and one single drum beat, which led to great critical acclaim and cult status around the world - appearantly, one chord is all you need.
After topping the charts and playing their one-chord, one-drum beat music, Neu! decided to record another album. The title was 2. but that didn't mean that they would stray from their monolithic, one-sided, one-dimensional sound of using one chord only. They kept on recording their music, but soon ran out of money, as they spent it all on drugs (it was still the 1970s, dude...) and therefore only recorded one half of the album. So how did they fill out an entire album? Well, play the same two songs at different speeds and call it a day. Lazy? Yes. Cheating? Yes. Underachiving? Jahr! - But once again, the critics loved it, and their music was played all over Germany, even on the other side of the Berlin Wall - since the lyrics were either "la la la" or "na na na", it didn't insult the East German censorship committee, unless for a few tracks, where the "la la la" had a capitalist tone to it.
After discovering that songs could have more than one chord, they recorded their third album - this time, with a song with two chords called Hero. The song would inspire David Bowie to make a song called Heroes - in a fit of artistic hubris, it had three chords! Meanwhile, Neu! had decided to split, having figured that Bowie was more of a hero than they were.
edit Critical Reception And Later Years
Neu! have been known to make people commit suicide at their concerts within the 7th hour of play. No one has heard a Neu! song all the way through, not even the band member's themselves, because they're usually threatened by local police at gun point to stop playing before anyone else takes their own life.
Their three records sold very poorly because critics never got through reviewing it because they all thought, "this is never going to END!" and hung themselves, even though the albums fade out after only 80 minutes because that's the maximum a record can hold. They never realized it because they're rock journalists, and next to lemmings, they're the dimmest creatures of all.
The members are now in prison due to a huge amount of lawsuits and a large criminal record. They are allowed to play their music within the prisons because the government figured that that would be a good way to lower prisoner numbers. The predictions turned out swimmingly.
edit Motorik Theory Explanation
The musical theory behind Neu!'s sound is called Motorik and is a manufacturing concept developed by Volkswagen. The original idea was to invent an engine that kept going, but the idea was picked up by the German krautrock scene as a way of developing music. Well, calling it music may be a bit too much. Perhaps it's better to call it... Minimalism. No, that is too big a word. Sounds? No. Mind-numbing, faceless, droning machine noise? Possibly. Let's just stick with Motorik because when an engine goes boom-boom-bah-boom, boom-boom-bah-boom, boom-boom-bah-boom for ten minutes straight, it's not really music. At least it wasn't in the 1970s, but today things have changed. Just ask Daft Punk, representing the minority of robotic musicians.
The Motorik theory has been picked up by many other bands: David Bowie, Kraftwerk, Radiohead, Nintendo and Toyota. The recession of Detroit can be attributed to Neu! breaking up, as the car industry didn't have a soundtrack anymore.