Depeche Mode

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[[Image:DaveGahan.jpg|thumb|right|[[David Gahan]], lead singer of Depeche Mode. Coincidentally, David is also in Depeche Mode. His other modes are Whine, Green and Razzledazzle Berry.]]
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[[Image:DaveGahan.jpg|thumb|right|David Gahahan, lead singer and mic botherer of Depeche Mode.]]
   
[[Image:Depechelego.jpg|thumb|right|Yellow Man, ex-guitarist of Depeche Mode.Controversy erupted when it was discovered that Yellow Man was attending White Power rallies, and this later led to his discharge in the band.]]
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{{Q|We call it Master and Servant.|Dave Gahahan, explaining his relationship with fellow band-member, Fletch.}}
   
{{Q|This band is not straight.|Captain Obvious|Depeche Mode pre Violator}}
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'''Depeche Mode''' (pronounced ''Depressed-mood'') comes from the French words for "Of", "Peach", and "Style". So the band is effectively "Of Peach Style". No one associated with the band bothered to find out what it meant until it was too late to change. It is interesting to note that 'in style' is written as "a la mode", while out of style is "de mode". Depeche Mode ultimately called themselves "Out of Peach Style". Interviews recorded at the time confirmed the band often claimed they were "Out of peaches".
   
{{Q|My best friend promises me i'm safe as houses, as long as i remember who's wearing the trousers.|Dave Gahan, showing his [[Gay|very suspicious]] relationship with his "friend".}}
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Depeche Mode has been named the best selling electric band of all time, with record sales reaching 12 (Not counting digital downloads) and has made total ticket sales of 80 (Not counting Digital counterfeits) from which most of the early profits funded the Vince Clarke Synth Museum, and Martin Gore's Leather Dress collection.
 
'''Depeche Mode''' (pronounced ''Deepish-mood'') comes from the French words for "Of, Peach, and Style." So the band is "OfPeach Style" whatever that means. Depeche Mode has been named the best selling electric band of all time with record sales reaching 402 (3 more than the more gayer version Duran Duran) and has made total ticket sales of 57 (52 more than Duran Duran). It is interesting to note that in style is written as "a la mode" while out of style is "de mode." So the band is calling themselves "(out) OfPeach Style." French has been checked and cleared for authenticity. Author is a conservative Francophone. Yes, they exist.
 
   
 
== Early History ==
 
== Early History ==
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[[Image:Depechelego.jpg|thumb|left|Vincent Clarkent, Founding member of Depeche Mode. Controversy erupted when it was discovered that Vince was addicted to peaches.]]
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Depeche Mode's origins can be traced back to 1976, when Vince Clarkent accidentally invented the Synthesizer in a bizarre household accident with a vacuum cleaner and a Magi-Mix Blender. Demonstrating the device to his friend Andy Fletcher, known as Fletch. Meanwhile Martin Gore was playing guitar in a band called 'Norman and the Worms'. Eventually Vince had invented enough synthesizers to allow the guitars to be ditched, and for Martin (who had left the worms behind), to get one too. Originally titling themselves 'We Just Want to Get Out of Essex', they found no success. However, Vince stopped singing after finding Dave Gahahan crooning in a scout hut. The line-up was complete. They then changed their name one last time to the mis-read title of a french mail-order magazine "Spank It!" from which Martin was ordering dresses. They were officially Depeche Mode.
   
Depeche Mode's origins can be traced back to 1976, when [[John Oates]] and [[Brad Davis]] formed an unsuccessful band known as "No Talent in General." Across the globe, in [[Florida]], Vince Clarke formed a new band named "French Kiss" with [[Sean Penn]]. Corresponding by carrier pigeon, the two bands joined forces and became known cumulatively as "Composition of Bland". After Vince Clarke heard Samuel L. Jedi perform at a rehearsal in 1980, Clarke insisted Jedi join, and "Depeche Mode" was born. The new name was taken from a French fashion magazine, "Spank It!", which translates to "Fashion As You Like" or "Fashion Dispatch." Ironically though, the cover of "Spank It!" not only included interviews with Brad Davis, but also John Oates.
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== Getting signed ==
   
Oates, Penn, Jedi and Davis then became bored of the entire project and sold the rights to [[David Gahan]], [[Martin Gore]], and [[Andy Fletcher]] for 12 shillings, a value that I have no idea of since I'm an American. They also had to keep Vince Clarke in the deal though, so that takes away some of the worth.
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After many attempts at storm-trooping large recording establishments, completely dressed in black again, Depeche Mode finally stumbled upon Dan 'Windy' Miller. He was a flatulent, Avant-guard electronic impresario and founder of Mute Records: the world's first record label for deaf people. Knowing a good sound when he heard one, or not, as the case may be, he immediately signed them initially not suspecting they were from Basildon, Essex. It's now understood Martin Gore's hair negotiated it's own contract due to it's unruly nature.
   
The band became part of Daniel Miller's Mute Records label by way of [[sex]]ual favors, and released their first album, '''Tuggin' It to You Babe''', in 1981. Soon after, Vince Clarke left because he was tired of Miller eating his [[ham]] and [[cheese]] and hiding crumbs in his napsack. Clarke went on to form several other bands including ScheissStaub (Yaz in the US) with Alison Moyet, Yer Ass with Jabber-jaw, Dave and Eric, and later [[Oasis]] with Andy Bell.
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== Not-quite-so-early-but-early-ish history (Alan in Quarantine) ==
{{wikipedia}}
 
   
== Not-quite-so-early-but-early-ish history ==
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After writing all the smash hits for the fledgling band, including 'I Just Can't Get It Up', Vincent Clarkent decided to leave. Writing a chorus where he got Dave Gahahan to sing the phrase 'I Just Can't Get It Up' thirty-two times eventually made him quite bonkers, to a point where on the album 'Speak and Spell' he replaced Gahahan with an actual Speak and Spell. Although Gore had only so far written 'Huge Muff' and 'Nora! Nora! Nora!', a song about his dominatrix land-lady, Fletch let him write the songs. Fletch, now being the tallest, became leader of the band by hitting the others quite often. This was later documented in the hit single 'Master and Servant'. Although Alan 'Wildman' Wilder replaced Vince, after replying to an advertisement in a pet shop, he was not allowed to play any instruments and was put into quarantine until their 3rd album ''Constriction Time Again''.
   
After Clarke's departure, [[Martin Gore]], who had written ''"Tora! Tora! Dingus!"'' and ''"Big Muff (and Gravy)"'' on their debut album, took over as the band's primary songwriter and in 1982 the album '''Dispatch the the Face''' was released by the remaining trio. Shortly after, Alan Wilder, who had auditioned for the band prior to the recording of '''Dispatch on the Face''' (although he did not contribute to that album) joined the band first as a live replacement for Clarke, then as a full-fledged member of Depeche Mode. He wrote ''"Dog Has Fleas"'' and ''"Two Minute Man (in Your Hand)"'' for their 1983 album, '''Escape the Fire Monsters''', as well as ''"I Prefer Men''", the B-side to the freewheelin' single, ''"Flat Backs"'', the B-side to the ''"People Are Stupid"'' single, and ''"Cleveland Steamer"'' on the 1984 album '''Deaf Mothers of Invention''', but his main contribution to Depeche Mode was in technical and musical persuasion.
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== Alan's Allowed to Play ==
   
In the early 1980s the band's popularity was largely confined to [[Europe]] (particularly [[Canada]]). However, in 1984 Depeche Mode made inroads into the US, spawning the [[North American]]-only releases of the compilations '''People Are Stupid''' and 1985's '''Catching Crabs from Depeche Mode''', the former featuring their first transatlantic hit ''"People Are Stupid"''.
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''Constriction Time Again'' is a concept album based around Gore's attempts to strangle people and was completely recorded by Alan Wilder using metal pipes and spanners as the band were still wary of letting him use the 'Vince Synths'. Alan's main contribution was 'Pipeline', written during the quarantine time he spent. As the band developed and became politically and socially aware their songs had new depth: 'Everything Counts (In Large Amounts)' was a comment from the band about Vince's growing addiction to Korean peaches; 'Love In itself' was about love with oneself. During the recording of the album, the studio was found to be in the path of the ever-expanding M25 motorway. Many sounds on the album are actual construction workers outside the building. This ultimately inspired the track 'The Landscape is Changing', after Martin, in a rage, drove a JCB digger through the foyer and main mixing desk of the building. This upset a number of potted plants.
   
== Dave Gahan and heterosexuality (debates surrounding) ==
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== Some Great Reward ==
   
This period is seen as the beginning of the band's long association with [[Britain]]s's homo movement that was gaining popularity in [[America]].
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''Some Great Reward'' was a milestone for the band. It was their fourth album, and the first time they got paid for any of their work, hence the title. However, it was later discovered that Martin Gore's hair had negotiated royalty payments since day one and now had its own off-shore account and string of ladies' hair salons in Basildon, Essex.
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'People Are Purple' was their first truly international hit and is still used to sell Volkswagen Golfs ('Any colour you like, as long as it’s purple') to people. After the shock revelation of Vince's peach addiction, it was also discovered that Gahahan had been drawn into the American sub-culture of Mulberry abuse (known as blueberries in the U.S.) and 'People Are Purple's' lyrics were a cutting remark on this. This is not the first time the last Gahahan sang self-deprecating lyrics penned by another. Fletcher’s abuse of the other band members had now reached an all-time high, culminating in the other smash-hit, 'Master and Servant'. 'The Black and Blue 12" Mix', referenced Gore's Parentage and Dave’s newfound complexion.
   
This may have owed more to its sound than to its image, due to the band's late exposure to the American market and its unfortunate string of inconsistent, budget-driven music videos prior to this time. As heard with 1984's ''"I Got Crabs"'', a bitter commentary on the unfairness of life, and the dour B-side to 1985's ''"Killing Me Softly (with a garden spade)"'', called ''"Beer Gut"'' (thereafter remixed and released as ''"Beer Gut - With Cheetos"'' on the 1986 album '''English Wanker'''), lead songwriter Gore began a decade-long descent into dark, brooding synthesized dance music. At the time, many associated this sound with that of the then-ascendent homo movement - an association the band tried to later to downplay, with little effect.
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== Onward ==
   
== Obligatory list ==
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In the mid-80s and early '90s, the band's popularity in the US grew, as did their influence on the emerging techno and gay house scenes. Techno pioneers Heckle, Jeckle, and Nibbles Mouse regularly quoted Depeche Mode as an influence in their development of proto-techno music during the West Boston Techno explosion in the late 80s.
   
After the video of their 1986 single, titled ''The Safety Dance'' garnered attention, its director [[Hugo Hackenbush]] began a long-lasting friendship and working relationship with the band, eventually directing 19 of their videos (the latest being 2006's ''"Suck Her Well"''). For his part, Hackenbush -- an internationally renowned photographer, professional [[basketball]] player, and newly emerging music video director ([[U2]]'s "Pride (For Gay Love)" (1984) and Hef and the Bunnymen's "Bring on the Whores (Dem Gals Ain't Gonna Dance No More" (1985)) -- was catapulted into near stardom, eventually directing music videos for the likes of New Division ("Atmosphere" (1988)), Frontline 242 ("Tragedy for people including myself" (1991)), [[Mudhoney]], and [[AC/DC]]. With a newly-coherent, striking image and a brooding sound, the band resonated with an emerging taste for all things Gothic in the US. On the heels of their ironically titled 1987 album '''Weiners!''', Depeche Mode played a follow-up US tour in 1988, to sold-out venues.
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The band's 1988 ''Music for the Massive'' tour culminated in a final concert at the Toilet Bowl with a sell-out attendance of 8. The tour was documented in a film, notable for its portrayal of fan interaction. An album release of the concert, titled ''101'' became a bestseller in 1989.
   
== Retreading some earlier bits ==
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Later that year, the band recorded 'Personal Beavis'. Print ads for the single included morse code, which, if punched on a telegraph machine, played the song in coded bleeps and blips. The ensuing controversy over the lack of availability of telegraph machines and the randomness of telegraphs as promotional tools. This helped propel the single to number eleventeen on the UK charts, becoming one of their biggest sellers and their first aluminum single in the US.
   
In the mid-80s and '90s, the band's popularity in the US grew, as did their influence on the emerging techno and gay house scenes. Techno pioneers Heckle, Jeckle, and Nibbles Mouse regularly quoted Depeche Mode as an influence in their development of proto-techno music during the West Boston Techno explosion in the late 80s.
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== Moving Forward ==
   
The band's 1988 '''Salami!''' tour culminated in a final concert at the Toilet Bowl with a sell-out attendance of 8 (the highest in 8 years for the venue). The tour was documented in a film by Wee-Wee Buttgrubber, notable for its portrayal of fan interaction. An album release of the concert, titled '''101 Broads (taste 101 Weiners''' (Live) became a bestseller in 1989.
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In Feb 1990, 'Enjoy the Slicing', Depeche Mode's most successful single to date, reached out and touched people in the US charts (#6 in [[Iran]]), eventually becoming the band's signature song. To promote their new album, 'Ultra-Violence', they held an in-store autograph signing in Shelton, Washington, which attracted 7 onlookers and 1 stray dog. The album and the subsequent 'Not Peaches, Clockwork Oranges' Tour were further successes. Notably, 11 tickets for the local Los Angeles Rec Center show sold within 8 hours.
   
Later that year, the band recorded the "'Smooth Gospel and Christian rock'-esque" (Rolling Stone, June 1856) ''"Personal Beavis"'', in Milan. Prior to its release, advertisements were placed in the personal columns of UK regional newspapers with the words "Everyone Loves [[Jesus]] (But Ma He Don't Want Me for a Sunbeam)." Print ads for the single included morse code, which, if punched on a telegraph machine, played the song in coded bleeps and blips. The ensuing controversy over the lack of availability of telegraph machines and the randomness of telegraphs as promotional tools helped propel the single to number eleventeen on the UK charts, becoming one of their biggest sellers and their first aluminum single in the US.
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By 1991, Depeche Mode had emerged as one of the world's most least-successful acts. The band changed pace in 1993 with ''Wrap That Rascal'', a rock-oriented album that was to "butch up" the group's sound. The album moved away from Vince Synths, and themes of unsafe-sex. For the first time, 'Wrap That Rascal' introduced live drums, black musicians, and Trojans into their music. The album debuted at number 97 in both the US, UK, and Ghana; highlights included the country-blues/techno 'I Felt You (and a condom)'and the gospel-tinged ode to safety, 'Condom Nation'.
   
== Possumbelly ==
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In 1995, Alan Wildman Wilder announced his departure from the group, citing a lack of credit given for his involvement, and his missing VHS of A CLOCKWORK ORANGE.
   
In Feb 1990, ''"Enjoy My Scrotum"'', Depeche Mode's most successful single to date, reached out and touched people in the US charts (#6 in [[Iran]]), eventually becoming the band's signature song. To promote their new album '''Grab Your Ankles''', they held an in-store autograph signing in Shelton, Washington which attracted 7 onlookers and 1 stray dog. The album and the subsequent [[Conjugal]] Violation Tour were further successes. Notably, 11 tickets for the local Los Angeles Rec Center show sold within 8 hours, and yet only 3 tickets for the Dodger Stadium show sold..
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In 1997, the album ''We're Not Gay (Anymore)'' and its first single 'We Don't Like Guns' were handed out free to shoppers at Wal-Marts across the United States. However, the refrain of the song, ''whatever I've done, my bum is not for fun'', left many confused. 'We Don't Like Guns' debuted at #19-b in every country, but the band declined to tour, perhaps because they discovered Viagra and no longer wished to leave their houses.
   
By 1991, Depeche Mode had emerged as one of the world's most successful acts, relying on a proto-techno sound to distiguish themselves. The band changed pace in 1993 with '''Wrap That Rascal''', a rock-oriented album that was to "butch up" the group's sound. The album moved away from keyboards, synthesizer, and themes of unsafe-sex, for the first time introducing live drums, black musicians, and Trojans into their music. The album debuted at number 97 in both the US, UK, and Ghana; highlights included the country-blues/techno ''"I Felt You (and a condom)"'', soulful stickiness of ''"In Your Condom"'', and the gospel-tinged ode to safety, ''"Condom Nation"''. Though rumors persist to this day that the real Dave died (permanently) that day, and that the man we see today is a clever look-alike by the name of Paul McGahan.
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== Wait, They're Still Around? ==
 
Contributing factors that have been suggested for the delay in the band's subsequent output include the drug addiction issues of [[Walter Mondale]].
 
   
In 1995, Wilder announced his departure from the group, citing a lack of credit given for his involvement, and his missing VHS of A CLOCKWORK ORANGE.
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A best-of collection followed in 1998, with the new single ''"Only When I Touch Myself"'', a lonely and moist ballad featuring samples from Elvis Presley's classic song, "Knob Rocker". The band set off on a 4-month tour that cemented their place as a quasi-permanent attraction, with a large touring attendance regardless of album sales.
 
In 1996, with [[Mondale]] out of rehab and Wilder now pursuing his own solo nonsense called [[Recoil|Recoil in Horror ]], Depeche Mode held recording sessions with completely unknown producer Tim Yum Yums; the next year, the album '''We're Not [[Gay]] (Anymore)''' and its first single ''"Monkey Spank"'' were handed out free to shoppers at Wal-Marts across the United States. However, the refrain of the song ''"Whatever I've done, my bum is not for fun"'' left many confused as to how much influence Yum Yums was having on the album. ''"Spank"'' debuted at #19-b in every country, but the band declined to tour, perhaps because they discovered Viagra and no longer wished to leave their houses.
 
 
== Still going ==
 
 
A best-of collection '''We Need More Money''' followed in 1998, with the new single ''"Only When I Touch Myself"'', a lonely and moist ballad featuring samples from Elvis Presley's classic song, "Knob Rocker". The band set off on a 4 month tour that cemented their place as a quasi-permanent attraction, with a large touring attendance regardless of album sales. ([[U2]], [[the Rolling Stones]], and [[Fozzie Bear]] are some others in this category).
 
 
 
While Depeche Mode remains quite popular in Ghana, Western Europe and Antarctica, its most loyal fan base and widest appeal seems to lie in Central and Eastern Europe fed by the timely confluence of several key events in this part of the world in the early 90's: the then world-wide popularity of Depeche Mode and synthesized queer music in general (which has since waned in the US), the collapse of communism, the surging prom industry, and the rise of the Internet with the instant access this brought to a region thirsting for western music and seashells. Today there are countless fan-created web sites, in nearly every language, propelling the band to perpetual fame.
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While Depeche Mode remains mildly popular in Ghana, Western Europe and Antarctica, its most loyal fan base and widest appeal seems to lie in Central and Eastern Europe. The rise of the Internet, with it's instant access, brought Depeche Mode to a region thirsting for western music and peaches. Today there are countless fan-created web sites, in nearly every language, propelling the band to perpetual sort-of popularity.
 
In 2001, Depeche Mode released '''Wonder Pants''', which did not place well in the charts outside of Continental Europe. Although it spawned several dance club hits such as Danny Boy's remixes of ''"I Feel Love (Dripping Down My Leg)"'', many fans felt the album was uninspired and underproduced, although the record was noted as containing some of the strongest vocal stylings of David Gahan since hitting puberty (especially notable on the 3rd single, the tender ballad ''"Hat Sex"''). Web blogs from L.A. to Sydney questioned if this wasn't a manifestation, that indeed Depeche Mode had in essence created evil mutant baby-zombie monsters that were destroying the love that a man feels for his car. Shortly after the '''Wonder Pants''' tour, Gore and Gahan seemed to sense that this would be a good time to busy themselves with new solo efforts. Oh, and Fletcher did some stuff with a [[Client]] and Hawaiian Toast or something. Doesn't matter.
 
   
2003 saw the release of Gahan's solo album, '''Fun Sticks''', followed by a worldwide tour and a DVD taken from it, titled "Rubber Peters"; Gore continued his solo career with the release of '''Titties²''' (containing cover versions of his butler's most beloved and influential songs), which followed his first solo attempt of 1989, '''Titties and Nutsacks'''.
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In 2001, Depeche Mode released ''Exiter'', which did not place well in the charts outside of Continental Europe. Many fans felt the album was uninspired and under-produced, although the record was noted as containing some of the strongest vocal stylings of David Gahahan since hitting puberty. Shortly after the 'I'm Leaving: Exiter' tour, Gore and Gahahan seemed to sense that this would be a good time to busy themselves with new solo efforts.
   
== Almost over now ==
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== Why Don't They Just Retire Already? ==
   
On October 17, 2005, the band released their long awaited 11th studio album '''Test Tickles''' to mixed, but mostly positive reviews. Produced by professional wrestler [[Kevin Nash]], this top ten hit (peaking at #1 in several European countries) featured the hit single ''"Diaper Fetish"'', peaking at #4 in the UK charts. The album was backed by the band's first in-store signing since 1990, on the day of release in Billings, [[Montana]]. Worthy of note is that this was the first DM album to feature songs written by ex-president [[Gerald Ford]]. Several months prior to its official release, a prototype of the video for the single ''"Trouser Browser"'' was leaked onto the internet (by Ninjas), resulting in the arrest of a bear. Meanwhile, the official video was released on September 12, 1954 on the Depeche Mode website. The controversial lyric "''I pray you learn to suck / My wife was like a duck/ Shot from the blue with bowl of poo''" scared many away, but further bolstered DM's underground and backdoor appeal. The second single from the album, ''"A Pain That My Anus Is Used To"'', was released on December 12, and the third single from the album was ''"Suck a Well"'', the first ever post-1981 Depeche Mode single not to be written by Gore (lyrics by Gahan, music by Smokepott/Ayegner). Lastly, a double A-side single was released entitled ''"Hot Dog Hider / Bun Warmer"'', a move that was made to reduce the potential inflammatory response to the political interpretations made therein.
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On October 17, 2005, the band released their long awaited 11th studio album ''Playing the Angle'' to mixed, but mostly positive reviews. The album was backed by the band's first in-store signing since 1990, on the day of release in Billings, Montana. Several months prior to its official release, a prototype of the video for the single 'Pretentious' was leaked onto the internet (by Ninjas), resulting in the arrest of no one. Meanwhile, the official video was released on September 12, 1954 on the Depeche Mode website.
   
To promote the album, the band launched nuclear warheads as a marketing tactic labeled "Razing the Angel" in November 2005, which took them directly to fans stomachs. The tour continued through the first half of 2006, at which point it stopped. Depeche Mode also headlined both the 2006½ Coachella Valley Music and Arts Festival in California, and the O2 Assless Chaps Festival, which took place on the last weekend of June 2006 in London's Hyde Park. Some of the gigs were their first ever shows in certain countries like America and England. In March 2006, the website announced two dates in Mexico (a country they had not visited due to the band's boycotting of the Mexican-American war in the 1800s). More than 55,001 tickets for a stadium in Mexico City were sold immediately, causing the band to schedule another date for the same venue. Recordings of 43 of the shows were officially released on laser disc.
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To promote the album, the band launched nuclear warheads as a marketing tactic. The tour continued through the first half of 2006, at which point it stopped. Depeche Mode also headlined the 2006½ Coachella Clean-Up Festival. In March 2006, their website announced two dates in Mexico (a country they had not visited due to the band's boycotting of the Mexican-American war in the 1800s). More than 12 tickets for a stadium in Mexico City were sold immediately, causing the band to schedule another date for the same venue.
   
In addition, a "best-of" compilation was released in November of 2006, entitled '''"Stuff We Did: Volume 1"''' featuring a new single ''"Martyr for Buns"''.
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In addition, a best-of compilation was released in November of 2006, entitled ''Yes, We Still Exist'' featuring a new single 'Martyr for LOL'.
   
== Sounds from Uranus ==
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== We're Stuck With Them ==
   
In August 2007, during promotion for Gahan's second solo album, '''Tonsil Tickler''', it was announced that Depeche Mode were heading back in studio in early 2008 to work on their upcoming twelfth studio album, again utilizing Kevin Nash as producer. The fruits of their labor, no pun intended, was released in April of 2009 as the subtlely titled album, '''Sounds of Uranus'''. An up-tempo 1st single called "Wrong Hole" preceded "SoU", for which the innovative promo video (directed by [[Neil Diamond]]) featured cucumbers suggestively sliding in and out of doughnuts. Even more controversy erupted when the disgusting and morally-depraved video of a Gahan-penned track, "Hole To Feed" (that was not made up for once) caused even the band themselves to vomit where they stood. They quickly apologized and then released it anyway, being assured by police that [[pedophile|pedophiles]] who viewed the video would be instantaneously cured of their disease.
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Depeche Mode spent a lot of time in the studio. The fruits of their labor, no pun intended, was released in April of 2009 as the quietly nuanced album, ''Sounds of Uranus''. An up-tempo 1st single called "Right" preceded ''Sounds'', and featured a video that made scared 7 little kids.
   
On May 14 2009, Depeche Mode announced they had been forced to cancel six shows on their Tour of Uranus due to further complications from singer Dave Gahan's severe bout of genital warts. On May 28 2009, Depeche Mode announced that Dave Gahan recovered after doctors found a tumour in his testicle (from years of abuse) during tests and removed it. His physicians ordered him to turn straight. In typical Gahan fashion, he ignored them and continued touring in Shiteza, Germany, on June 8.
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On May 14 2009, Depeche Mode announced they had been forced to cancel six shows on their Tour of Uranus due to further complications from singer Dave Gahahan's severe bout of chicken pox.
   
Future money-grubbing compilations are set for release whenever their record company wants some dough, gosh! Back off...
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On March 22 2013, Depeche Mode released their latest studio album, ''Defective Machine''. 'Hellbent' was released as the album's lead single. Defective Machine received generally peachy reviews, and sold 22 albums, a real record-breaker for Depeche Mode. Currently they're on tour. It is scientifically impossible to get rid of them.
   
 
[[Category:Music]]
 
[[Category:Music]]

Latest revision as of 23:06, December 29, 2013

DaveGahan

David Gahahan, lead singer and mic botherer of Depeche Mode.

“We call it Master and Servant.”
~ Dave Gahahan, explaining his relationship with fellow band-member, Fletch.

Depeche Mode (pronounced Depressed-mood) comes from the French words for "Of", "Peach", and "Style". So the band is effectively "Of Peach Style". No one associated with the band bothered to find out what it meant until it was too late to change. It is interesting to note that 'in style' is written as "a la mode", while out of style is "de mode". Depeche Mode ultimately called themselves "Out of Peach Style". Interviews recorded at the time confirmed the band often claimed they were "Out of peaches".

Depeche Mode has been named the best selling electric band of all time, with record sales reaching 12 (Not counting digital downloads) and has made total ticket sales of 80 (Not counting Digital counterfeits) from which most of the early profits funded the Vince Clarke Synth Museum, and Martin Gore's Leather Dress collection.

edit Early History

Depechelego

Vincent Clarkent, Founding member of Depeche Mode. Controversy erupted when it was discovered that Vince was addicted to peaches.

Depeche Mode's origins can be traced back to 1976, when Vince Clarkent accidentally invented the Synthesizer in a bizarre household accident with a vacuum cleaner and a Magi-Mix Blender. Demonstrating the device to his friend Andy Fletcher, known as Fletch. Meanwhile Martin Gore was playing guitar in a band called 'Norman and the Worms'. Eventually Vince had invented enough synthesizers to allow the guitars to be ditched, and for Martin (who had left the worms behind), to get one too. Originally titling themselves 'We Just Want to Get Out of Essex', they found no success. However, Vince stopped singing after finding Dave Gahahan crooning in a scout hut. The line-up was complete. They then changed their name one last time to the mis-read title of a french mail-order magazine "Spank It!" from which Martin was ordering dresses. They were officially Depeche Mode.

edit Getting signed

After many attempts at storm-trooping large recording establishments, completely dressed in black again, Depeche Mode finally stumbled upon Dan 'Windy' Miller. He was a flatulent, Avant-guard electronic impresario and founder of Mute Records: the world's first record label for deaf people. Knowing a good sound when he heard one, or not, as the case may be, he immediately signed them initially not suspecting they were from Basildon, Essex. It's now understood Martin Gore's hair negotiated it's own contract due to it's unruly nature.

edit Not-quite-so-early-but-early-ish history (Alan in Quarantine)

After writing all the smash hits for the fledgling band, including 'I Just Can't Get It Up', Vincent Clarkent decided to leave. Writing a chorus where he got Dave Gahahan to sing the phrase 'I Just Can't Get It Up' thirty-two times eventually made him quite bonkers, to a point where on the album 'Speak and Spell' he replaced Gahahan with an actual Speak and Spell. Although Gore had only so far written 'Huge Muff' and 'Nora! Nora! Nora!', a song about his dominatrix land-lady, Fletch let him write the songs. Fletch, now being the tallest, became leader of the band by hitting the others quite often. This was later documented in the hit single 'Master and Servant'. Although Alan 'Wildman' Wilder replaced Vince, after replying to an advertisement in a pet shop, he was not allowed to play any instruments and was put into quarantine until their 3rd album Constriction Time Again.

edit Alan's Allowed to Play

Constriction Time Again is a concept album based around Gore's attempts to strangle people and was completely recorded by Alan Wilder using metal pipes and spanners as the band were still wary of letting him use the 'Vince Synths'. Alan's main contribution was 'Pipeline', written during the quarantine time he spent. As the band developed and became politically and socially aware their songs had new depth: 'Everything Counts (In Large Amounts)' was a comment from the band about Vince's growing addiction to Korean peaches; 'Love In itself' was about love with oneself. During the recording of the album, the studio was found to be in the path of the ever-expanding M25 motorway. Many sounds on the album are actual construction workers outside the building. This ultimately inspired the track 'The Landscape is Changing', after Martin, in a rage, drove a JCB digger through the foyer and main mixing desk of the building. This upset a number of potted plants.

edit Some Great Reward

Some Great Reward was a milestone for the band. It was their fourth album, and the first time they got paid for any of their work, hence the title. However, it was later discovered that Martin Gore's hair had negotiated royalty payments since day one and now had its own off-shore account and string of ladies' hair salons in Basildon, Essex. 'People Are Purple' was their first truly international hit and is still used to sell Volkswagen Golfs ('Any colour you like, as long as it’s purple') to people. After the shock revelation of Vince's peach addiction, it was also discovered that Gahahan had been drawn into the American sub-culture of Mulberry abuse (known as blueberries in the U.S.) and 'People Are Purple's' lyrics were a cutting remark on this. This is not the first time the last Gahahan sang self-deprecating lyrics penned by another. Fletcher’s abuse of the other band members had now reached an all-time high, culminating in the other smash-hit, 'Master and Servant'. 'The Black and Blue 12" Mix', referenced Gore's Parentage and Dave’s newfound complexion.

edit Onward

In the mid-80s and early '90s, the band's popularity in the US grew, as did their influence on the emerging techno and gay house scenes. Techno pioneers Heckle, Jeckle, and Nibbles Mouse regularly quoted Depeche Mode as an influence in their development of proto-techno music during the West Boston Techno explosion in the late 80s.

The band's 1988 Music for the Massive tour culminated in a final concert at the Toilet Bowl with a sell-out attendance of 8. The tour was documented in a film, notable for its portrayal of fan interaction. An album release of the concert, titled 101 became a bestseller in 1989.

Later that year, the band recorded 'Personal Beavis'. Print ads for the single included morse code, which, if punched on a telegraph machine, played the song in coded bleeps and blips. The ensuing controversy over the lack of availability of telegraph machines and the randomness of telegraphs as promotional tools. This helped propel the single to number eleventeen on the UK charts, becoming one of their biggest sellers and their first aluminum single in the US.

edit Moving Forward

In Feb 1990, 'Enjoy the Slicing', Depeche Mode's most successful single to date, reached out and touched people in the US charts (#6 in Iran), eventually becoming the band's signature song. To promote their new album, 'Ultra-Violence', they held an in-store autograph signing in Shelton, Washington, which attracted 7 onlookers and 1 stray dog. The album and the subsequent 'Not Peaches, Clockwork Oranges' Tour were further successes. Notably, 11 tickets for the local Los Angeles Rec Center show sold within 8 hours.

By 1991, Depeche Mode had emerged as one of the world's most least-successful acts. The band changed pace in 1993 with Wrap That Rascal, a rock-oriented album that was to "butch up" the group's sound. The album moved away from Vince Synths, and themes of unsafe-sex. For the first time, 'Wrap That Rascal' introduced live drums, black musicians, and Trojans into their music. The album debuted at number 97 in both the US, UK, and Ghana; highlights included the country-blues/techno 'I Felt You (and a condom)'and the gospel-tinged ode to safety, 'Condom Nation'.

In 1995, Alan Wildman Wilder announced his departure from the group, citing a lack of credit given for his involvement, and his missing VHS of A CLOCKWORK ORANGE.

In 1997, the album We're Not Gay (Anymore) and its first single 'We Don't Like Guns' were handed out free to shoppers at Wal-Marts across the United States. However, the refrain of the song, whatever I've done, my bum is not for fun, left many confused. 'We Don't Like Guns' debuted at #19-b in every country, but the band declined to tour, perhaps because they discovered Viagra and no longer wished to leave their houses.

edit Wait, They're Still Around?

A best-of collection followed in 1998, with the new single "Only When I Touch Myself", a lonely and moist ballad featuring samples from Elvis Presley's classic song, "Knob Rocker". The band set off on a 4-month tour that cemented their place as a quasi-permanent attraction, with a large touring attendance regardless of album sales.

While Depeche Mode remains mildly popular in Ghana, Western Europe and Antarctica, its most loyal fan base and widest appeal seems to lie in Central and Eastern Europe. The rise of the Internet, with it's instant access, brought Depeche Mode to a region thirsting for western music and peaches. Today there are countless fan-created web sites, in nearly every language, propelling the band to perpetual sort-of popularity.

In 2001, Depeche Mode released Exiter, which did not place well in the charts outside of Continental Europe. Many fans felt the album was uninspired and under-produced, although the record was noted as containing some of the strongest vocal stylings of David Gahahan since hitting puberty. Shortly after the 'I'm Leaving: Exiter' tour, Gore and Gahahan seemed to sense that this would be a good time to busy themselves with new solo efforts.

edit Why Don't They Just Retire Already?

On October 17, 2005, the band released their long awaited 11th studio album Playing the Angle to mixed, but mostly positive reviews. The album was backed by the band's first in-store signing since 1990, on the day of release in Billings, Montana. Several months prior to its official release, a prototype of the video for the single 'Pretentious' was leaked onto the internet (by Ninjas), resulting in the arrest of no one. Meanwhile, the official video was released on September 12, 1954 on the Depeche Mode website.

To promote the album, the band launched nuclear warheads as a marketing tactic. The tour continued through the first half of 2006, at which point it stopped. Depeche Mode also headlined the 2006½ Coachella Clean-Up Festival. In March 2006, their website announced two dates in Mexico (a country they had not visited due to the band's boycotting of the Mexican-American war in the 1800s). More than 12 tickets for a stadium in Mexico City were sold immediately, causing the band to schedule another date for the same venue.

In addition, a best-of compilation was released in November of 2006, entitled Yes, We Still Exist featuring a new single 'Martyr for LOL'.

edit We're Stuck With Them

Depeche Mode spent a lot of time in the studio. The fruits of their labor, no pun intended, was released in April of 2009 as the quietly nuanced album, Sounds of Uranus. An up-tempo 1st single called "Right" preceded Sounds, and featured a video that made scared 7 little kids.

On May 14 2009, Depeche Mode announced they had been forced to cancel six shows on their Tour of Uranus due to further complications from singer Dave Gahahan's severe bout of chicken pox.

On March 22 2013, Depeche Mode released their latest studio album, Defective Machine. 'Hellbent' was released as the album's lead single. Defective Machine received generally peachy reviews, and sold 22 albums, a real record-breaker for Depeche Mode. Currently they're on tour. It is scientifically impossible to get rid of them.

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